SCI.CREATE an open-source creative process

Archive of September 2008


September 26 2008

Last night's workshop, and post-workshop

Last night the students finished their stories, and we recorded student readings for each of them. Man, they are smart and creative. With the student’s help, I’ll be posting the final drafts and audio recordings over the next week at the workshop blog.

Thanks to everyone for a successful and fun workshop.

And on another note, Eric and I had a great meeting with Paul from Mozilla over a beer after the workshop. We’re going to be putting together a pitch for a global open-source creative collaboration. Exciting stuff. I’ll post ideas and napkin sketches as we make ‘em. Starting with these over a pint of Lagunitas (please ignore the older bucketbrain chickenscratch):

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The notion that open-sourcing ideas and freeing them from fear is crucial for human culture seems to be spreading. I’m seeing more and more instances popping up these days. This link is a nice bit of information backed by a fun little explanatory game. Learn how to fight the power – by making little green heads go pop.

0 Comments / Tags: inspiration, on creativity / Trackback

September 25 2008


It’s all here, in Jonathon Drori’s simple talk on how we understand a lot less than we think we do. Creativity, the mind, fear, the human condition, education, the sharing of ideas, the pitfalls of technology. It’s all there.

0 Comments / Tags: on creativity, science, video / Trackback

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Article Photo

The article’s title is "An Arctic Sea "Foaming" with Methane: What Now?"

 

At this point you have to just start enjoying all these apocalyptic signs because one of things must be true: either every generation feels that it could be the last generation and thus secretely enjoys this social psychosis of end times, or we are the first and the end is truly drawing near. Either way, very interesting ramifications for the human condition. Pretty much exactly what my Molasses story is about.

0 Comments / Tags: inspiration, science, apocalypse / Trackback

September 24 2008

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Courtesy of BoingBoing. This is a great depiction of why I avoid the news at all costs, and why I argue my pride in avoiding it with other creatives who rely on the news for inspiration. There is plenty of darkness within our minds and everyday lives to inspire me that I simply don’t need the constant inundation of worldly destruction that the news offers, and which is depicted so wonderfully and whimsically here. Same shit, different day. We  humans love the end of the world.

0 Comments / Tags: inspiration, news / Trackback

September 23 2008


Metamorphosis from Glenn Marshall on Vimeo.

Received this link/video from Stefan Klocek, inspired by talks we’ve been having about how best to create a multimedia experience out of the written word. This has no words, but the generative artwork is beautiful. I can see this being powered by displayed words, or vice versa.  

From the link:

Glenn Marshall has released his finished version of Metamorphosis, a beautiful piece of computer generative art programmed in Processing. I wish I knew a bit more about what I was seeing, but I can only guess that the branches and butterflies follow certain laws of nature and rules defined by the music (I hope). Nevertheless, it’s beautiful. Here’s the video below, but go to Vimeo to watch the video in all it’s HD glory.

0 Comments / Tags: inspiration, music, video, multimedia literature / Trackback

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abandoned coastline canon in Russia 23

Cool shots of abandoned battlements. They look so lonely without someone to kill, don’t they?  Would be an interesting setting for a story, or an angle for a war-themed story.

0 Comments / Tags: inspiration, war / Trackback

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I would’ve loved to see the brainstorming ideas that this came from. Thanks buzzfeed.

Honda of America created a unique marketing event for the drivers who travel over a specific road in Lancaster, CA. Like a phonograph record, grooves in the road, when driven over by a car intones a passage from the William Tell Overture. Created as a promotion for the Honda Civic- there are only four in the world, and the only one in the USA- But alas- neighbors near the road have complained, and the City of Lancaster says they will repave the road on Tuesday Sept. 23.

 

0 Comments / Tags: inspiration, music / Trackback


September 22 2008

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Man, I love this broken harlequin shot of Tilda Swinton. A face that could launch 10,000 stories. Unfortunately I don’t remember where I found this so I can’t credit the photographer. Sorry.

0 Comments / Tags: inspiration, character / Trackback

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Last House Standing

Love this post-Hurricane-Ike shot, photoshop accusations or not. Kinda reminds me of the house in Terry Gilliam‘s Tideland (a movie which I sadly didn’t love despite really wanting to). Courtesy of Buzzfeed

0 Comments / Tags: inspiration / Trackback

September 19 2008

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Screen-printers Deadbeatsister, will be selling their sweet custom-printed wares at this weekend’s Treasure Island Music Festival in San Francisco. They make these in the shack in my backyard. Not joking. And artist friend Dave Crosland helps with the designs. 

For more information, here’s her email blast:

Hey Deadbeaties!

This weekend marks the return of that magical music festival in the Bay, Treasure Island. Deadbeatsister will be set up in the Treasure Chest area with the Indie Mart crew, sharing our pirate’s booty with the masses.

We’ve been scampering like scallywags to get ready for this show. So many new designs to check out…all hand printed with love on soft tees, scarves, dresses, and anything else we could find. Hall & Oates ’08 tees are back in stock just in time for the upcoming election. And this weekend we’re debuting our newest gear for fall—the Meta Hoodie, printed on super-soft and comfy zip-up hoodies.

As a special appreciation to all you loyal Deadbeatsister supporters (and with love to CSS), come by our table and say "Music is my Hot Hot Sex!" for 5 bux off any t-shirt, hoodie, dress, or whatever strikes your fancy.

We can’t think of a better way to spend the weekend than hanging out on a man-made island with some of the best damn indie acts around.

0 Comments / Tags: events, dbs, music / Trackback

September 18 2008

Courtesy of BoingBoing. Yet another inspiring character, event, or detail. The caption read "Amateur flaming-arrow archers kept the fires burning in Alberta’s gas towers in 1960. There are too many interesting characters in the world than time to write about them all. Would also make a great singular event to center a short story around – a tower going out, or getting re-lit.

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Mr. & Mrs. Darth Vader

Courtesy of Buzzfeed. Yes, I find this completely inspiring. And yes, I can immediately imagine a story of two lovers meeting at a convention like this and wondering (satirically) where to go from there, and when to unmask and uncloak. If you wanna get heady about it, it could be a satire of the psychological masks we wear, and the subtle ways we let people beneath our coatings to glimpse our real selves. It’s just a lot funnier if the main character is a female Darth Vader.

0 Comments / Tags: inspiration / Trackback

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Nick Cave on editing (for The Road)

 

From io9: Nick Cave is doing the score for the film adaptation of Cormac McCarthy’s The Road (Did I really just link to Oprah’s book club?). Fuck yeah. But enthusiasm aside, here’s what Nick had to say about his writing and editing process. I can relate. And that makes me feel good about all the toiling, and it should make you feel good too.

It’s how I write: A song that’s maybe five to six verses long, I write 20 verses and then I chop, chop, chop, chop. That’s always been the case. I can’t let something go until it’s exhausted, so I have to edit. I’m always editing. I find editing hugely exciting. Taking something away from something can do extraordinary things, whether it’s music or writing or in a film. In film, it’s extraordinary what happens. We’re working on “The Road,” and a new edit gets sent every three days or so and your way of seeing can completely change from it, from just leaving a lingering look for three seconds longer or something like that. It’s very much the same thing with lyrics and music in general.

0 Comments / Tags: inspiration, on creativity, music / Trackback

September 17 2008

David Foster Wallace, by Eric Myers

Eric Myers just emailed this to me, out of the blue (relatively speaking). I wish I had anything to add except my unrefined confusion: I am torn between the disappointment of someone of such intelligence and vigor just pussing out out and giving up (after all, Kurt Vonnegut never gave up), the sense that it’s the easiest thing in the world to do and that if he wanted it he certainly earned it, and the acceptance that I have no idea what it was like inside his head or of what the choice consisted. 

 

BRIEF ENCOUNTERS WITH BEAUTIFUL MEN

David Foster Wallace is dead.

Long live David Foster Wallace.

He was a friend of mine. Not in any conventional sense. But as I trust he was to so many people he’d never met, who only knew him through his writing. A beacon of brilliance and insight in this, The Absurd World We Have No Choice But to Inhabit. This Absurd World—both outer and inner—that ultimately defeated him, despite all his accomplishments and accolades.

I met DFW at a reading in San Francisco in early 2006. I hate readings and rarely attend them. Typically I find them to be desiccated and dryasdust, a pale imitation of the rich, imaginative world conjured by the writer’s words, devoid of any performative integrity that would justify the audience’s attention—attention that could be more productively applied to reading solo in the comfort of one’s one room/womb. But his words moved me that night, his recounting of the psychological landscape of Illinois in the wake of September 11. And so I hovered amidst the autograph hounds after the reading.

Or, more like: I positioned myself by the author’s table to be able to have my own brief encounter before the hordes descended.

I was the first in line.

David grabbed his pen in anticipation of the audience’s desires, but I had no book to sign. I merely sought a few words unencumbered by the baggage of pen and paper.

“Hello,” I said.

“Hello,” he replied.

“I’ve always appreciated you as a writer, but now—after hearing you read— I can appreciate you as a human being.”

(This is what I go to readings for—to get a sense of the humanity/energy/intention of writers I adore. More often than not, I am disappointed—deluged by a tidal wave of ego and arrogance that so often attend the success writers of his stature have achieved. But not this time. His humility and humanity were palpable in the room, his desire to selflessly distill our collective human experience so clearly—in a way that so very few can do.)

He looked at me as if I had just offered him my priapistic soul on a skewer, as if he’d never been paid that compliment before. As if he had no idea that his humanity was so much more valuable than his writerly gifts. Or that his humanity was the only reason that his gifts had been able to manifest as brilliantly as they had.

“Thank you,” he said, his eyes stuttering and his poise momentarily disrupted. He seemed discomfited. Had he never heard this before? Had his brain always been praised while his soul remained malnourished?

I didn’t want to keep him from the hundreds of adoring souls in the room, so I said my goodbyes. I wish I hadn’t walked away so quickly. Perhaps a victim of my own ego, I had no desire to be one of the horde.

I tried to follow up via email, but David was an impossible one to locate, even to those well versed in the arcane rituals of Internet interrogation. His email address was simply AWOL. And so I went on with my life, looking forward to his next book.

And that was that.

And now that is all.

David Foster Wallace is dead.

The irony runs deep. As do the cliches. One of the most innovative and original literary voices of our time, a suicide. The cliche of the tortured genius. One so unbridled in his imagination ultimately succumbing to the strictures and restrictions and remonstrances of This, The Absurd World We Have No Choice But To Inhabit.

David Foster Wallace is dead.

Long live David Foster Wallace.

I’m sure he’ll be back.

Let’s take better care of him next time.

0 Comments / Tags: inspiration, dfw, emeyers, elegy / Trackback

September 16 2008

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sl---molasses-narrative.pdf

This is not yet in a state I would call a first draft. It has contradictions, confusions, mis-orderings, issues of voice, and lotsa fat to trim. But my mom just got to town for a few days and I simply ran out of time before needing to submit to our writing/creativity salon on Friday. C’est la vie. The good thing is that comments from the peanut gallery will help me hone what to highlight and what to kick to the curb. Enjoy.

1 Comment / Tags: writing, fiction, molasses, draft, in-progress

September 11 2008

NIN show features innovative lights and video

The NIN show last week, aside from being one of the best shows I’ve ever seen, also had the most innovative use of lights and video that I’ve ever seen. It started with a wall of moving lights behind them that could put strong simple images behind the band and a helluva lot of wattage such as:

But then, down came a transparent screen with thousands of individual LED lights which created interesting pixellations and changing the stage dimensions, as below.

But what if you introduce a second transparent screen covered with LED lights, and put them at varying heights and depth, creating an entire stage scene? Notice that at this point, they’re playing a jazz kit, stand-up bass, mandolin, and yes, Trent on marimbas. Faaaantastic. I love how Trent is slowly acclimatizing his fans to new musics and instrumentations, which should allow him to still keep his fans as he ages. Whether intentional or not, it represents a good grasp on psychology. Regardless, these scenes are beautiful, and at one point looked like they were covered in pouring rain (though I didn’t really nail that shot):

Screens up, they started using them in a way that reminded me of Roger Water’s concepts of closeness and separation that inspired The Wall. Here the digital curtains are reacting instantaneously to Trents motions behind them.

Gotta love the sea of cellphones.

And to top it off, they used the screens to create a visualization of their drum machines. Band members actually got up, pressed the boxes to turn on beats, and you could see the bright white beat moving across and reacting. I’ve never seen anything quite like that before.

And finally, a simple use of the LEDs and lights together to create a scene that felt like it had real dimension, mimicking their Year Zero album backcover.

Why am I showing this? Because they’re pushing the boundaries of how lights and video should interact with the band, stage, and music. We’re all used to seeing neat eye candy at live shows, but it’s usually just that: candy to make you go "ooo" and give you something to look at while you listen. It sets a mood, and often changes timing with the pace of the music. But this is well beyond that. The lights and video were part of the band, and the stage. It reacted directly to both the music and the band members, and actually became immersive. It was like quite literally seeing the album art come alive onstage, so it became part of the storytelling. I wouldn’t be surprised if crowd interaction became part of it next. Good show, fellas.

0 Comments / Tags: inspiration, music, video, lighting, nin / Trackback

September 8 2008

numberofthoughts.png

I’ve worked it out. There are 5 to the fucking-bloody-helleventy billion possible phenomenological states of the mind for every human that has ever lived and had a thought every half-second. In other words, infinite. Final proof that there is no need for a soul to exist for the experience of life to be completely and ineffibly subjective for each and every one of us. The soul is dead, long live Queen Brainium.

Maybe this will go into a story as exposition. Maybe it will simply inform a character who is obviously obsessed with such tinkerings. Stay tuned to find out!

1 Comment / Tags: inspiration, mind, brain / Trackback

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Yes, it’s an Amex ad. And yes, it’s Ellen Degeneres, but come on. I love characters like this. She will be stripped of her celebrity and pound and hum her way through the pages of a would-be story, and you lucky readers will know exactly where she came from.

0 Comments / Tags: inspiration, character / Trackback

September 5 2008

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Conversations with the World: workshop at 826 Valencia

Taught by Scott Lambridis and Eric Myers
Limited to 12 students, ages 11–14
September 4, 11, 18, & 25, 2008
Tuesdays, 6:00–8:00 PM

What do you think about what’s important in the world? Writing is not only a dialogue between yourself and the reader; it is a dialogue between yourself and the world. Taking regular headlines as our starting point, we will draw inspiration from the comic, tragic, complex world we inhabit. Working collaboratively, we will use everything from Web 2.0 software to scrapbooks to capture the building blocks of stories that are both entertaining and socially relevant. We will then use this mixed media collage to create stories that communicate our thoughts and concerns about life in the twenty-first century. The creative process will be archived in a digital journal for future use. Completed stories will be submitted for inclusion in 826’s Quarterly, published online in OLOGY magazine.

>>Syllabus and materials
>>Class blog

2 Comments / Tags: render, workshop, hosted, 826, teaching, event / Trackback

September 4 2008

The Open-Source Creative Movement (from the mouth of Marisa)

Sure, we’ve waxed about this, and sure I could do my own summation, but quoting Marisa directly from my email works so much better:

"Just as politics as usual and the buying and selling of ideas and technology has netted us no fundamental change in the way global problems are addressed, the ownership of ideas, start-ups, nonprofits, and individualized approaches to solution-making is keeping us from the desperately necessary collaborative envisioning of what actions might actually work. By opening up the creative process – a process that, we firmly believe, is NOT limited to the production of paintings, plays, or songs, but inherent in every facet of business, politics, and culture – we invite new methods and new applications of ideas across the boundaries of industry, nation, and identity. Whether we’re artists, scholars, or entrepreneurs, the innovative approaches to global crisis we seek will only be realized when we can safely let go of our need to patent, own, and market the ideas we think of as "ours.""

0 Comments / Tags: on creativity, article / Trackback

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826 Valencia workshop & Mozilla?

I received an unexpected email last week from the VP of Marketing at Mozilla. I’m not sure where this is going to lead, but I think it’s interesting that this workshop touched a nerve (in a good way). I believe that web2.0 technology will find its heyday when it starts really pushing the idea of open-source creativity. The very process by which we share ideas and the understanding that there is a need to do so is a pivotal shift in both the way arts and technology address social concerns, but also the way we as humans carve out our own futures in this world. Will we remain fearful of each other and hoard our ideas for selfish reasons or open up the dialogue in the hope of letting reason and passion grow? Will we continue to put a wall up between the creative and the uncreative individual or will we work to demystify the magic and foster the potential for imagination and open-mindedness in all people? Emails like this make me believe that there others out there looking in the right direction.

 

Hi Scott –
I found your contact info at the 826valencia.org site and wanted to reach out to introduce myself, and to see if you might have time in the next 1-2 weeks to chat about the workshop you’re leading there next month on "Conversations With The World".

I run marketing for Mozilla, and I’m personally and professionally very interested in figuring out ways to introduce work and programs with strong socially responsible outcomes into the mix of our activity. I have some initial ideas about what we can bring to bear as an organization, and am engaged right now with factfinding. Mainly talking to people like you who are already taking action that brings the web to new creators and new audiences.
So, if you can spare 20 minutes to talk, I’d much appreciate it! Do let me know if this sounds interesting to you. And best of luck with your workshop.


What does he hope to ask of me? I really have no idea. But looking over Mozilla’s manifesto suggests that they’re interested in two of the three basic premises of this site, and this workshop: letting ideas flow freely, and social responsibility of technology. The creative/artistic side isn’t spoken of, but that’s fine since that’s not their niche. We can handle that side. I also noticed that they just had a Firefox Summit which might have prompted the investigation into 826 valencia. And the VP’s own background of working within gaming, productivity software, charity and human rights, and now open-source technology suggests his personal investment in these themes are very real.

Should be an interesting conversation. I’m sure we can find ways of helping each other, and I’m very glad this little workshop experiment of ours (an experiment in an obviously larger theme) has already proved fruitful at bringing ideas together.

0 Comments / Tags: on creativity, 826, workshop, teaching / Trackback

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Chat about open-source creativity with Marisa

me:it means opening up ideas for people to collaborate…instead of hoarding ideas and thinking that someone’s going to steal it.

  and making it easier for people to share of said ideas and work.
  and "fostering trust" so people want to.
 in my world…trust just means that you trust an idea is worthless and its your own execution that makes it important.
  and you trust you can do it well.
  listen to me blather.
 Marisa: no no this is interesting stuff… I mean, I’ve thought a lot about collaboration and the myth of the lone genius, but I never thought of it in Web 2.0 "open source" terms
 me: then clearly my website header isn’t doing its job. heh heh heh.
 Marisa: well no I mean you’re the first
 me: hahaha. oh.
 Marisa: I guess it just feels to me that it’s the difference between doing the disingenuous artist thing and claiming it all came to you in a vision versus the real work of it, the influences, the digestion, the output
 me: yeah. exactly.
  that’s a lot of it.
 artists like to pretend they’re magicians.
  and they are. but any real magician knows they’re playing with illusions…which rely on tons of tiny bits of very uncool and uninteresting maneuvres and inspiration.
  the method isn’t the illusion.
 the product is what’s magical. not the process.
  the process is partially arbitrary and partially calculated. its both.
  you can’t say "art is calculated" or "art is only sudden inspiration" because it requires both.
 at least for 99% of the time for 99% of the people.
 Marisa: right
 me: that other….01%, well, you can’t teach or talk about that anyway.
 Marisa: so it’s sort of obvious – except to the non-artist
me: its obvious unless the artist is lying to himself or putting up a front because he thinks other artists are "more" creative.
  and yes, the non-artist sees it as magic.
 Marisa: so in other words, you’re an evangelical of creative process
 me: and if you think that…then there’s a seriously steep learning curve.
  i am indeed.
 Marisa: right
 me: because the creative process is just a fancy word for playing.
Marisa: awww
 me: fuck, have fun. make up shit. poke at things. draw mustaches on people. don’t take shit so fucking seriously.
  because robots will kill us all off eventually anyway.
 

0 Comments / Tags: on creativity, article / Trackback

September 3 2008

Morris Bobetter - IP

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sl---morris-bobetter-narrative4zx.doc

In true form to my own process which even now I find I am still discovering in the midst of its stages, I had to take a break and look at the 20 pages of words I had written. I went to the notebook to figure out what the hell I was writing, and in plain English wrote the core of the story – the characters and their concerns and histories and the events that unfold – that will form the framework on which to hang all of the good literary stuff I had previously dumped into the manuscript.

This came after a few days of frustratingly rummaging through the twenty pages and writing too many questions and no answers. What is here? Was the real question. The question of specific character actions and illuminating events. 

But in retrospect I realized that this happens for every story.

 - First get out all the good stuff that will form the meat of the writing and the story.
 - Then order and reorder until a flow emerges.
 - Then stop and write a very simple one-page synopsis and outline of characters and events in loose chronology.
 - Then go back in and start the most fun part – affixing all the good stuff previously written to this outline. Chucking a lot in the garbage because it no longer is necessary for the story, and adding the glue that makes everything click.
 - Then and only then can I call it a loose first draft. That’s right, a FIRST draft. But oh man does it save on rewrites later.

I also realized a while ago (and forget every time I start a new story), that my fiancee actually paints and illustrates the exact same way. Dumping all the color and form onto the canvas, and then taking a step back and seeing what’s there, then diving in and teasing everything out.  Interesting. No doubt this is by no means the "normal" way (and I doubt there is one since everyone works differently), but it is the way that I naturally work. From concept to formless detail to form to function. And you’re here to see it all as it happens. Don’t that just make you feel all fuzzy inside?

So, I’m now back up to the first few pages and a bunch of swamp below. But now I have my opening lines: "Time was not infinite after all. Since it couldn’t be left to nature anymore, we had to take its portioning into our own hands, and according to a rigorous set of scientific fractions and standards, weights and means, Morris Bobetter ended up with more time than he knew what to do with."

0 Comments / Tags: fiction, writing, swapmeet, draft, in-progress, obstruction2, obstructions

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