Posts tagged with “fiction”
sl---devils-devils-everywhere-narrative1i4.doc
sl---morris-bobetter-narrativeais.doc
sl---morris-bobetter-notes5.doc
sl---morris-bobetter-narrative08u.doc
From Tyler Landry of "Book of CLAV" infamy, regarding artwork for ".002 Seconds":
"i whipped this up for .002. the colors are what i intended, but lacking a few hints of coolness like blue, purple, etc.. in tiny, softened amounts in some key areas. i had something more dramatic intended for the layout / composition. i am gonna take another crack at this. i really want to flesh out this initial scene where bike accident man first enters and has to recoup with booze and pills and has the ass view and meets big and scary obsessive cleaning man.
i had only intended this as a rough for composition and character placement and colors and stuff. i have something really slick and sexy in mind for the finished illustration. i am going to muck about with some more views of the room and i want to dress it up with more details too. the big guy interpretation - i think he’s not quite the character he needs to be yet, but i really thought he should be a massive hulk of a man. and shaved bald / stubbly. and there’s something about having 2 flannel shirts…it’s eerie. it goes a long way as a metaphor for his psychological layers. i have to show it :D thoughts?"
Thoughts? My thoughts are that it’s awesome that he’s interested in the story enough to make art. Onward!
10:33 AM | 0 Comments | Tags: fiction, art, 002, tyler
The Book of CLAV gallery show at Cricket Engine, January '09
Cricket Engine hosted a walk-through of “The Book of CLAV,” a modern art fable. The book pages were shown on the walls, presenting the unknown author’s journal entries and the anonymous artworks which spawned them side by side. A two hour instrumental soundtrack, composed specifically to complement and enhance the visual experience accompanied the installation.
11:12 AM | 1 Comment | Tags: event, omnibucket, clav, render, art, news, fiction, writing, multimediasl---morris-bobetter-notes2.doc
sl---morris-bobetter-narrativezf6.doc
Washer Woman - final, short version
Molasses - novel excerpt
Molasses - in progress
sl---molasses-narrative.pdf
Morris Bobetter - IP
In true form to my own process which even now I find I am still discovering in the midst of its stages, I had to take a break and look at the 20 pages of words I had written. I went to the notebook to figure out what the hell I was writing, and in plain English wrote the core of the story - the characters and their concerns and histories and the events that unfold - that will form the framework on which to hang all of the good literary stuff I had previously dumped into the manuscript.
This came after a few days of frustratingly rummaging through the twenty pages and writing too many questions and no answers. What is here? Was the real question. The question of specific character actions and illuminating events.
But in retrospect I realized that this happens for every story.
- First get out all the good stuff that will form the meat of the writing and the story.
- Then order and reorder until a flow emerges.
- Then stop and write a very simple one-page synopsis and outline of characters and events in loose chronology.
- Then go back in and start the most fun part - affixing all the good stuff previously written to this outline. Chucking a lot in the garbage because it no longer is necessary for the story, and adding the glue that makes everything click.
- Then and only then can I call it a loose first draft. That’s right, a FIRST draft. But oh man does it save on rewrites later.
I also realized a while ago (and forget every time I start a new story), that my fiancee actually paints and illustrates the exact same way. Dumping all the color and form onto the canvas, and then taking a step back and seeing what’s there, then diving in and teasing everything out. Interesting. No doubt this is by no means the "normal" way (and I doubt there is one since everyone works differently), but it is the way that I naturally work. From concept to formless detail to form to function. And you’re here to see it all as it happens. Don’t that just make you feel all fuzzy inside?
So, I’m now back up to the first few pages and a bunch of swamp below. But now I have my opening lines: "Time was not infinite after all. Since it couldn’t be left to nature anymore, we had to take its portioning into our own hands, and according to a rigorous set of scientific fractions and standards, weights and means, Morris Bobetter ended up with more time than he knew what to do with."
09:52 PM | 0 Comments | Tags: fiction, writing, swapmeet, draft, in-progress, obstruction2, obstructions